The Father of Drama: A Look at the Origins of Theater

Who is the father of drama?
Henrik Ibsen is famously known as the Father of Modern Drama, and it is worth recognizing how literal an assessment that is.
Read more on www.writerstheatre.org

The beginnings of theater can be found in ancient Greece, where plays were presented as a part of religious festivals and performances took place in amphitheaters. The playwright Aeschylus is frequently referred to as the “father of drama” because he was one of the first to use dialogue and several characters in his plays. His use of the chorus, a troupe of actors who would sing and dance between scenes, was also well-known.

Aeschylus may have been the first to lay the foundations for theater, but he was by no means the only significant playwright of his era. Sophocles, Euripides, and Aristophanes are three more prominent Greek playwrights who each contributed a distinctive viewpoint and dramatic technique to the stage.

When you travel back in time to the present, you’ll see that theater has developed into a thriving industry, especially with the help of Broadway plays. Millions of tourists flock to New York City each year, and Broadway productions bring in billions of dollars in income.

But how profitable is Broadway? In most cases, the answer is yes. Even though not every production is certain to be a hit, successful ones can generate millions of dollars only from ticket sales. Many shows can also make money by selling items and entering into licensing deals. Opportunities exist for people interested in making investments in Broadway. It’s crucial to remember that Broadway investments often have high risk and tremendous payoff. While some shows might be extraordinarily popular, others might not be able to cover their expenditures.

So, are musicals successful? Once more, the answer is yes, but with a few restrictions. Broadway is a popular place for musicals, and good productions may bring in a lot of money. However, musicals also need a bigger initial investment since, among other things, it costs more to hire a composer, lyricist, and choreographer.

And last, what proportion of Broadway productions truly make back their money? A study by The Broadway League, the trade organisation for the sector, found that 20–30% of Broadway productions make a profit each year. This highlights the enormous risk inherent in the industry and means that the majority of productions do not recover their initial investment.

In conclusion, despite the fact that theater’s beginnings can be found in ancient Greece, the current theater sector is now booming, especially thanks to Broadway shows. Broadway plays and musicals can be very successful, but investment in the industry carries a high risk/high reward ratio.

Leave a Comment